AKG P220 Condenser Microphone Review / Test

Buy the P220 (Affiliate Link)
Global: https://geni.us/p220

Today we're looking at another microphone from AKG's 20 series microphones, the AKG P220.

For this review, I have the mic connected directly to the Focusrite Scarlett 2i2 2nd gen, with the gain set at 12:30. I have done no post processing on the audio, it is all raw, but the audio was slightly boosted in final cut pro X to simply make the audio easier to listen to.

If you are interested in this microphone, it will set you back $150.00 on Amazon

What's In the Box

  1. Hardshell Storage Box

  2. Microphone

  3. Shockmount (Includes: 5/8" & 3/8" adapter)

  4. Extra shock mount eleastic bands

Specifications

  1. Frequency Response: 20Hz - 20kHz

  2. Polar Pattern: Cardioid

  3. Sensitivity: ~-34dB

  4. Max SPL: 135 / 155dB

  5. Equivalent Noise: 16dBA

  6. Impedance: 200-ohms

  7. Power Requirement: +48v +/- 4v

Performance / Features

The build quality of this mic feels awesome. It has an all metal body that feels very robust in your hand, coming in at over 1 pound. The grill also feels very sturdy and does not bend when squeezed with fingers. On the front you have two switches, a high pass filter, which rolls off frequencies at 300Hz at 12dB/octave, and a -20dB pad.

The frequency response is listed as 20Hz - 20kHz. Unlike most microphones, this does not have a natural roll off in the low frequencies. Instead it has a minor dip around 150 hz and a boost from 150 down to 500Hz peaking at +4dB, which is then rolled off at 50Hz and down.  The mids are very flat from 100Hz -  4.5kHz at which point a gradual boost begins which ends up peaking at +4dB at ~11kHz, and then rolls off up to 20kHz.

The overall performance of this mic left me a bit underwhelmed. I did really like this microphone on the acoustic guitar as it had a nice full body and then the treble and air boost added some nice percussiveness to the tone. However, on electric guitar, spoken word, and singing, I did not enjoy the mic, and the dislike all stems from the treble and air boost. The boost led to the treble frequencies sounding a bit overpower on the electric guitar, while it left the spoken word and singing sounding top heavy, a bit brittle, breathy, and sibilant. 

Pros

  • Nice flat mids

  • Awesome build quality

  • Nice shockmount & storage box provided

Cons

  • Relatively high noise floor at 16dBa

  • Fairly sibilant

Conclusion

I was not terribly impressed with this microphones performance. The treble & air boost on this thing added some very unfavorable characteristics on the vocals and electric guitar. Although I did personally like this mic on the acoustic guitar, i think the tone is very specific and not very versatile. With all this being said, I don't think I can really recommend the microphone. 

If you have any additional questions about this microphone, leave them on the youtube video, and I will try to reply ASAP. 

Bandrew Scott

Bandrew Scott is the founder and host of the youtube channel Podcastage, where he posts reviews of audio gear, and shares tips and tricks to improve the audio of your Podcast, YouTube Channel, or Live Stream.

He also founded the Geeks Rising podcast network, which is home to amazing education, wellness, and pop culture podcasts such as Tourette’s Podcast, Sunshine & Powercuts, and On The Subject.

Bandrew also runs his own show titled the Bandrew Says Podcast. On this show he analyzes the latest news to determine how it affects the content creation ecosystem, and shares that to help creates remain aware of how the platform they use is changing. 

https://www.bandrewscott.com/
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